A Holiday Tour de Force: Exploring Underrated Yuletide Pictures
A factor that irks concerning a lot of present-day seasonal movies is their overly self-awareness – the ostentatious decor, the checklist soundtrack tunes, and the stilted conversations about the true meaning of the season. It could be because the style was not ossified into routine, pictures from the 1940s often tackle Yuletide from more inventive and not as anxious perspectives.
The Fifth Avenue Happening
One favorite gem from sifting through 1940s holiday comedies is It Happened on Fifth Avenue, a 1947 lighthearted farce with a clever hook: a jovial vagrant spends the winter in a unoccupied luxurious townhouse each year. That season, he invites new acquaintances to reside with him, including a ex-soldier and a runaway who is secretly the daughter of the property's rich landlord. Director Roy Del Ruth gives the picture with a makeshift family warmth that many newer Christmas movies struggle to attain. The film expertly occupies the space between a thoughtful commentary on housing and a delightful metropolitan romance.
The Tokyo Godfathers
Satoshi Kon's 2003 feature Tokyo Godfathers is a entertaining, heartbreaking, and profound interpretation on the holiday tale. Drawing from a western movie, it tells the story of a triumvirate of homeless people – an drinker, a trans woman, and a teenage throwaway – who discover an discarded newborn on a snowy December night. Their mission to locate the infant's parents unleashes a chain of misadventures involving crime lords, immigrants, and seemingly magical connections. The animation embraces the wonder of coincidence typically found in holiday stories, presenting it with a stylish visual style that sidesteps saccharine sentiment.
Meet John Doe
While Frank Capra's It's a Wonderful Life deservedly receives much acclaim, his lesser-known film Meet John Doe is a compelling holiday film in its own right. Featuring Gary Cooper as a handsome everyman and Barbara Stanwyck as a plucky journalist, the story starts with a fake missive from a man vowing to jump from a ledge on December 24th in despair. The public's response leads the journalist to recruit a man to play the mythical "John Doe," who subsequently becomes a national icon for kindness. The movie serves as both an uplifting tale and a brutal indictment of powerful media magnates trying to exploit grassroots goodwill for their own ends.
A Silent Partner
Whereas holiday slasher pictures are now commonplace, the holiday crime caper remains a relatively rare subgenre. This makes the 1978 film The Silent Partner a fresh surprise. Starring a delightfully vile Christopher Plummer as a thieving Santa Claus and Elliott Gould as a clever bank employee, the film pits two kinds of amoral individuals against each other in a well-crafted and twisty yarn. Largely unseen upon its initial debut, it deserves rediscovery for those who prefer their festive films with a cold edge.
The Almost Christmas
For those who like their holiday reunions dysfunctional, Almost Christmas is a riot. With a star-studded cast that includes Danny Glover, Mo'Nique, and JB Smoove, the film delves into the strain of a clan forced to share five days under one roof during the Christmas season. Secret dramas bubble to the top, leading to moments of extreme farce, including a dinner where a weapon is produced. Of course, the film reaches a heartwarming ending, providing all the enjoyment of a family catastrophe without any of the real-life consequences.
Go
The director's 1999 feature Go is a holiday-adjacent tale that functions as a young-adult take on interconnected narratives. While some of its humor may feel dated upon a modern viewing, the film still boasts plenty aspects to savor. These are a cool role from Sarah Polley to a memorable performance by Timothy Olyphant as a laid-back pusher who appropriately sports a Santa hat. It captures a particular kind of fin-de-siècle cinematic attitude set against a holiday backdrop.
The Miracle of Morgan's Creek
The satirist's 1940s farce The Miracle of Morgan's Creek forgoes conventional seasonal cheer in exchange for cheeky fun. The movie centers on Betty Hutton's Trudy Kockenlocker, who discovers she is pregnant after a drunken night but cannot identify the man responsible. Much of the fun arises from her situation and the efforts of Eddie Bracken's simping Norval Jones to help her. While not obviously a Christmas film at the beginning, the story climaxes on the holiday, making clear that Sturges has refashioned a playful interpretation of the birth narrative, packed with his characteristic sharp style.
Better Off Dead
This 1985 teen movie featuring John Cusack, Better Off Dead, is a prime specimen of its decade. Cusack's